I’ve recently upped the font sizes in Textmate and the terminal.
It makes me feel like my code is more beautiful, somehow.
Maybe it’s because whenever I watch a brilliant hacker give a technical talk, they put their screens up on the projector and live-code with super-large type.
Perhaps it reduces the amount of stuff that fits on my screen to a more elegant “that which matters.” Too much text via smaller font makes it difficult to focus.
It’s a cognitive hack for creativity.


Monoco 18pt – Vibrant Ink color scheme for Textmate
I had a meeting this morning which I think will help seed a nice, grand project over the next year. We discussed creating an augmented workspace to be used in a laboratory setting. This is the brainchild of Jason Morrison and Mac Cowell of diybio.org. (see the Seed Magazine article featuring Mac and his work)
The concept, called SmartLab, looks to be a fun way to reapply and improve on some work I have done previously in interface design, multitouch tables, and creative workflow research.
The project will involve prototyping a physical workbench (with integrated projection, multitouch screen, and image capture facilities), writing some system software, and developing a user interaction that will stretch my imagination in strange and useful ways.
Read More Post a comment (1)I moved to Boston right after July 4th of this year and have had the opportunity to introduce myself to lots and lots of new faces.
I took for granted that Austin was a relatively smaller town and that I could go to just about any tech-related meetup and find at least one person that I knew.
So the question, “what do you do?” has had me stumped for a while now. When most people ask that, they really want to know “how much money do you make” or “can you even relate to my self-important world?”
I’ve been doing web and software development of some sort or another for the past decade with an occasional foray into non-profit organizational work and things like dorkbot and robotic puppets. There are also many things I aspire to and am working towards. I looked at web stuff as bread and butter.
I no longer introduce myself as a web developer or Rails guy. Ballast. All of my current gigs involve art or robots or innovative software. It’s a good place. When I consciously made the decision not to pursue web stuff as a source of income the universe rewarded me by presenting just enough non-web opportunity to keep my income pipeline fuller than it’s ever been while keeping the stress level way down.
I’m happier when I’m doing work that’s more creatively fulfilling.
I’m also realizing that if I keep all of my creative work closed up in a box out of fear or relentless tinkering, then it’s as good as “never done.” Nothing is more unflattering than trying to convince someone of the value of a perpetual “closed beta.”
As a side effect, I find that the people I’m wanting to meet deal in the currency of provable accomplishments and not vaporware ideas. Nobody cares about the network of people I know (since nowadays, it’s super easy to reach anybody via social media tools). Spinning multiple plates badly is not attractive. They aren’t even interested in what I can do.
The only thing that matters is, “What have you done lately that’s remarkable?”
Cal Newport defines Grand Projects as
any project that when explained to someone for the first time is likely to elicit a response of “wow!’”
There is a huge difference in multitasking because you are disorganized and consciously multitasking so that you accomplish interesting grand projects.
Interesting people are often involved in multiple grand projects, but they really only can get one completed at a time.
So the better question is “What project are you working on right now that fires you up the most?”
I’d like to live a life of prolific creativity. I’d like to introduce myself with infectious enthusiasm over some project I can literally put into somebody’s hands.
I’m working on a meta-grand project, then. I’m fired up about figuring out what creativity framework I need so that I and lots of other people can have a relentlessly creative output of accomplishment.
I won’t spend all of my time ruminating over the creative process rather than actually creating things. That’d just be procrastination. I am spending quality time doing research and building infrastructure that facilitates creative output. These ideas are to be field tested by me and eventually others.
I’ll probably blog about that research on occasion, but only when I have something provable to say or an artifact to share.
Most of the time, now, I want to talk about the projects that result from my creativity experiments.
I may, at some point in my life, call myself a technology artist or creativity expert. For now, I’m a guy making things.
This post is a response to the Holidailies writing prompt “Introduce Yourself.”
This is going to be one of those things that seems all grand (and grandiose) today, and it only gains power and momentum if I actually go through with it. This is dangerously close to reinforcing negative behavior since in a month this may all be a massive failure — negative self-talk cycle.
So, I’ve often pointed to Mark’s stretch daily as a source of inspiration — he documents one creative act per day. The last few months have been spotty, but in general he’s amassed a nice portfolio of work simply by doing one small thing every day that stretches his creative mind.
Ira Glass talks about the importance of just making large volumes of creative work. And pretty much EVERY missive on creativity insists that you have to just fail often and fail quickly to get to the good stuff. (see War of Art and Twyla Tharp’s Creative Habit).
Ergo, “to make creative stuff, you just have to make creative stuff.”
SxSW (despite all its problems this year), never fails to inspire me in some way. A lot of it is simply, “Oh my, these people are not doing anything interesting and yet they are seeing successes” followed by the dreaded “Oh no, I’M doing even less interesting things.”
The truth is, I’m not devoid of fascinating projects. I talk to people about dorkbot or other things I care about and I get reactions like, “Your face lights up when you talk about that!” What’s clicking now are the many events and evangelical promotion of geeks and other cool things I’ve done and have in the works.
My anxiety right now is that I don’t actually want to just be a vehicle for other peoples’ interesting work, but I also want to be a source of interesting work. Being the huxster and promotions guy is a powerful and fun rush, but really, doing those things AND having established credibility as a maker of interesting work is a one-two punch, I hope. Somewhere I can envision myself having a wonderfully fulfilling life.
I’ve done little projects in my garage, but an in act of hypocritical omission, I’ve not been very good at showing these things to the world (fear of failure, fear of critique, etc.)
I’ve pontificated on the creative process (i.e. living leads to observations leads to wondering leads to tinkering leads to building).
But it’s all just been a whole lot of talk.
Because I do have a bit of a need for structure, however artificial, I need to create for myself a framework — a set of rules around work — that I can choose to abide by.
So here it is:
- For the next 365 days, once a day, I will complete a creative act that requires less than one day of effort to bring through the creative process.
- For the next 52 weeks, I will complete a creative act per week that requires a weeks’ worth of effort.
- For the next 12 months, I will complete a creative act that requires a months’ worth of effort.
- This entire experiment will last one year and will represent a year’s worth of creative effort.
- Everything I do, I will share online and/or offline.
- This is not just computers, robot-building, or programming — it can and should cover lots of different creative media.
- creativity is not just about art. creative experiments can happen in business, volunteering, etc.
- The rules are to be followed in spirit with good faith effort.
Why do this? Why set myself up for failure?
Because right now I have no idea how I can do this, but I know with certainty that it’s something I want to do.
I’m providing the chat server for the Yellow Tape Construction Co. performance of I Am Not Tartuffe.
The intent is to provide an interactive experience for the show-goers bringing laptops — the back-channel as performance art.
I set them up with PHPFreeChat on a mac mini with a local wireless network. I have no idea what the play is about, but it promises to be weird and fun.
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